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A l'Université de Floride à Gainesville du 1er au 3 juin 2017, le XXème colloque de la Rousseau Association,

sur le thème

Silence, The Implicit and the Unspoken in Rousseau
Silences, Implicites et Non-dits chez Rousseau

Organisatrice: Brigitte Weltman Aron

Preliminary Program/Programme Préliminaire

THURSDAY, June 1/Jeudi 1er Juin

4:00: Registration/Inscription
4:30 Welcoming remarks/Mots d’accueil

5:00: Keynote address/Conférence plénière:
Michael O’Dea (Université de Lyon II)
            Another Rousseau. Re-imagining a Writer using his Silences
           Chair: Brigitte Weltman-Aron (University of Florida)   

6:00: Reception

FRIDAY, June 2/Vendredi 2 Juin

9:00-10:30  Session 1
Chair: Peter Westmoreland (The University of Florida)
Zev Trachtenberg (University of Oklahoma)
            Rousseau’s Silence Toward Philopolis
Kendra Tully & John T. Scott (University of California, Davis)
            Rousseau’s Pregnant Silence in the Observations
Trip McCrossin. (Rutgers University)
Optimism properly understood

10:30-11:00 Coffee Break/Pause

11:00-12:30 Session 2
Chair: Zev Trachtenberg (University of Oklahoma)
Jean-Luc Guichet (Université de Picardie Jules Verne, ESPE de Beauvais)
Le silence éducatif de l’Emile
Johanna Lenne-Cornuez (Université Paris-Sorbonne)
L’économie du discours du gouverneur dans Emile ou l’art de ne pas parler à la place de l’enfant
Adam Burgos (Bucknell University)
The Deceptions of Silent Authority: Tutor, Legislator, and the Function of Lies

12:30- 2:00 LUNCH / DEJEUNER

2:00-3:15 Session 3
Chair: John T. Scott (University of California, Davis)
Ourida Mostefai (Brown University)
Faire le choix de se taire: la politique du silence chez Rousseau
Wilson Paiva (Federal University of Goiás, Brazil)
About Representation in the Educational Process: Why Emile Shall Wear a Mask

3:15-3:45 Coffee Break/Pause

3:45-5:15 Session 4
Chair: Rori Bloom (University of Florida)
Masano Yamashita (University of Colorado, Boulder)
            Laconism and the literary politics of Du Contrat social
Lorenzo Rustighi (Università degli Studi di Padova – Universidad de Aires-CONICET)
Un gouvernement à l’écoute: silence des femmes et surdité du pouvoir
Aude Jehan-Robert (University of Geneva/Johns Hopkins University)
Aspiration à un silence éternel: les non-dits de la pensée rousseauiste sur le suicide
                      
7:00 BANQUET

SATURDAY, June 3

9:15-10:15: BUSINESS MEETING/ASSEMBLEE GENERALE

10:30-11:30 Session 5
Chair: Jason Neidleman (University of La Verne)
Peter Westmoreland (The University of Florida)
            Rousseau’s Political Laws of the Heart
Flora Champy (ENS Lyon-Rutgers University)
Can the General Will Be Expressed in Silence? The Liberty of Ancients Compared to that of Moderns

11:30-12:00 Coffee Break/Pause

12:00-1:00 Session 6
Chair: Ourida Mostefai (Brown University)
John M. Warner (Kansas State University)
            Staging a Lie: The Self-Deceptive Ideology of the Theater
Jason Neidleman (University of La Verne)
            Rousseau’s Implicit (and Occasionally Explicit) Tragic vision

1:00-2:30 LUNCH / DEJEUNER

2:30-4:00  Session 7
Chair: Masano Yamashita (University of Colorado, Boulder)
Maria Gullstam (Stockholm University)
Rousseau’s Cut: Silent Acting and Felt Words
Nathan Martin (University of Michigan)
Silent Representation and the Representation of Silence: Music and Pantomime in Rousseau
Kris Worsley (Royal Northern College of Music)
The Silent Accents of Passion : the Role of Expressive Gestures and the langage d’action inRousseau’s Musical Imitation and Performance

4:00-4:30 Coffee Break/Pause

4:30-6:00 Session 8
Chair: Nathan Martin (University of Michigan)
Francesco Boccolari (Università degli Studi Roma Tre/Université Bordeaux Montaigne)
La peinture du silence. Le rapport entre sonorité, imagination et passions dans l’Essai sur l’origine des langues.
Maria Constança Peres Pissarra (Pontifice Université Catholique de São Paulo)
            L’écriture entre le silence et la parole
Ludwig Buchholz (University of Aberdeen)
Only in Silence Can We Speak: Understanding Rousseau’s Philosophy Through His Art

 



 
 

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